References

  1. Dolby Laboratories Inc. 1997. Surround sound past, present, and future: A history of multichannel audio from mag stripe to Dolby Digital. (Dolby brochure).

  2. Griesinger, David. 1986. Spaciousness and localization in listening rooms and their effects on the recording technique. J. Audio Eng. Soc. 34 (4): 255-268. Lipshitz, Stanley P. 1987. Comments on "Spaciousness and localization in listening rooms and their effects on the recording technique." J. Audio Eng. Soc. 35 (12): 1013. Griesinger, David. 1987. Author's reply to "Comments on ‘Spaciousness and localization in listening rooms and their effects on the recording technique.’" J. Audio Eng. Soc. 35 (12): 1013. Gerzon, Michael A. 1987. Reply to "Author's comments on ‘Spaciousness and localization in listening rooms and their effects on the recording technique.’" J. Audio Eng. Soc. 35 (12): 1013-1014.

  3. Torick, Emil. Highlights in the history of multichannel sound. J. Audio Eng. Soc. 46 (1/2): 27-31.

  4. Dolby Laboratories Inc. 1995. The evolution of Dolby film sound. (Dolby brochure).

  5. Steinke, Gerhard. 1996. Surround sound - The new phase. An overview. 100th Convention of the Audio Eng. Soc., Copenhagen. Preprint 4286.

  6. Elmar H. Leal O. 1991. Visual mixing and stereo panning techniques. 91st Convention of the Audio Eng. Soc., New York. Preprint 3116 (J-4).

  7. Omnisound Corporation. The OPS-1 Omnisound panning system, described on http://www.omnisound.com as of 3/24/98.

  8. TMH Labs. TMH-Pan. Web page for a five-channel, hardware pan pot at http://www.tmhlabs.com/panner.htm as of 3/24/98.

  9. Kelly Industries. The PanHandler software pan pot for SAW Plus. Web page at http://www.kellyindustries.com/index.html as of 3/24/98.

  10. Dolby Laboratories, Inc. Dolby Surround Encoder TDM Plug-In for Digidesign’s Pro Tools. Web page description as of 3/24/98 at http://www.dolby.com/pro/multiaud/digi.html.

  11. Moorer, James A. 1997. Music recording in the age of multi-channel. 103rd Convention of the Audio Eng. Soc., New York. Preprint 4623 (F-5).

  12. Roederer, Juan G. 1995. The physics and psychophysics of music: An introduction. Third Edition. New York, NY: Springer-Verlag.

  13. Gray, Peter. 1991. Psychology. New York, NY: Worth Publishers, Inc. Chaps 8-9.

  14. Blauert, Jens. 1997. Spatial hearing: The psychophysics of human sound localization. Revised edition. Cambridge, MA: MIT Press.

  15. Everest, F. Alton. 1994. The master handbook of acoustics. Third Edition. New York, NY: TAB Books.

  16. Kendall, Gary S. 1995. A 3-D sound primer: Directional hearing and stereo reproduction. Computer Music Journal 19 (4, Winter): 23-46.

  17. McEachern, Robert. 1992. How the ear really works. 1992 IEEE Int. Symposium on Time-Frequency and Time-Scale Analysis, Victoria, BC. Proceedings (IEEE Press # 92PH0478-8). 437-440.

  18. Lambert, Robert M. 1974. Dynamic theory of sound source localization. J. Acoustical Soc. America 56 (1): 165-171.

  19. Rodgers, C. A. Puddie. 1981. Pinna transformations and sound reproduction. J. Audio Eng. Soc. 29 (4): 226-234. Rodgers, C. A. Puddie. 1981. Correction to "Pinna transformations and sound reproduction." J. Audio Eng. Soc. 29 (7/8): 525.

  20. Bregman, Albert S. 1990. Auditory scene analysis: The perceptual organization of sound. Cambridge, MA: MIT Press. 73-83, 293-312, 323-325, 500-502, 590-592.

  21. Handel, Stephen. 1989. Listening: An introduction to the perception of auditory events. Cambridge, MA: MIT Press. 98.

  22. Cooper, Duane H. 1987. Problems with shadowless stereo theory: Asymptotic spectral status. J. Audio Eng. Soc. 35 (9): 629-642.

  23. Cooper, Duane H., and Bauck, Jerald L. 1989. Prospects for transaural recording. J. Audio Eng. Soc. 37 (1/2): 3-10.

  24. Mc Cabe*, C. J., and Furlong, D. J. 1991. Spectral stereo surround sound pan-pot. 90th Convention of the Audio Eng. Soc., Paris. Preprint 3067 (L-4). *(The correct spelling of his name is MacCabe or MacCaba, although it is not listed as such on the preprint.)

  25. Mac Cabe*, C. J., and Furlong, D. J. 1994. Virtual imaging capabilities of surround sound systems. J. Audio Eng. Soc. 42 (1/2): 38-49. *(Ditto.)

  26. Boone, Marinus M., and Verheijen, Edwin N.G. 1993. Multi-channel sound reproduction based on wave field synthesis. 95th Convention of the Audio Eng. Soc., New York. Preprint 3719 (A2-AM-1).

  27. Boone, Marinus M., Verheijen, Edwin N.G., and van Tol, Peter F. 1995. Spatial sound-field reproduction by wave-field synthesis. J. Audio Eng. Soc. 43 (12): 1003-1012.

  28. Leakey, D. M. 1959. Some measurements on the effects of interchannel intensity and time differences in two channel sound systems. J. Acoustical Soc. America 31 (7): 977-986.

  29. Gerzon, Michael A. 1992. Panpot laws for multispeaker stereo. 92nd Convention of the Audio Eng. Soc., Vienna. Preprint 3309.

  30. Gerzon, Michael A. 1977. Criteria for evaluating surround-sound systems. J. Audio Eng. Soc. 25 (6): 400-409.

  31. Gerzon, Michael A. 1977. The optimum choice of surround sound encoding specification. 56th Convention of the Audio Eng. Soc., Paris. Preprint 1199 (A-5).

  32. Gerzon, Michael A. 1992. Compatibility of and conversion between multispeaker systems. 93rd Convention of the Audio Eng. Soc., San Francisco. Preprint 3405 (J-7).

  33. Gerzon, Michael A. 1992. Hierarchical system of surround sound transmission for HDTV. 92nd Convention of the Audio Eng. Soc., Vienna. Preprint 3339.

  34. Gerzon, Michael A. 1991. Hierarchical transmission system for multispeaker stereo. 91st Convention of the Audio Eng. Soc., Vienna. Preprint 3199.

  35. Gerzon, Michael A. 1992. Optimum reproduction matrices for multispeaker stereo. J. Audio Eng. Soc. 40 (7/8): 571-589.

  36. Willcocks, Martin E. G., and Badger, Greg. 1983. Surround sound in the eighties - Localization and psychoacoustics. 74th Convention of the Audio Eng. Soc., New York. Preprint 2029 (H-7).

  37. Moore, F. Richard. 1990. Elements of Computer Music. Englewood Cliffs, NJ: Prentice Hall. 354.

  38. Orban, Robert. 1971. Notes on panpots. J. Audio Eng. Soc. 19 (11): 936-939.

  39. Borenius, Juhani. 1977. Moving sound image in the theaters. J. Audio Eng. Soc. 25 (4): 200-203.

  40. Gerzon, Michael A. 1992. General metatheory of auditory localization. 92nd Convention of the Audio Eng. Soc., Vienna. Preprint 3306.

  41. Gerzon, Michael A. 1975. A geometric model for two-channel four-speaker matrix stereo systems. J. Audio Eng. Soc. 23 (2): 98-106.

  42. Gerzon, Michael A. 1992. Signal processing for simulating realistic stereo images. 93rd Convention of the Audio Eng. Soc., San Francisco. Preprint 3423.

  43. Makita, Y. 1962. On the directional localization of sound in the stereophonic sound field. E. B. U. Review, Part A - Technical 73 (June): 102-108.

  44. Moorer, James A. 1997. Music recording in the age of multi-channel. 103rd Convention of the Audio Eng. Soc., New York. Lecture cassette recording, "5-Channel Microphone Array with Binaural Head/ Music Recording/ Techniques for Production of Multichannel (AU9701 SF2)," by Conference Copy Inc., http://www.confcopy.com/TAPES.

  45. Cooper, Duane H., and Shiga, Takeo. 1972. Discrete-matrix multichannel stereo. J. Audio Eng. Soc. 20 (5): 346-360, reprinted in Quadraphony, October 1975: 41-55. Cooper, D.H. 1972. Correction for "Discrete-matrix multichannel stereo." J. Audio Eng. Soc. 20 (6): 493.

  46. Gerzon, Michael A. 1973. Periphony: With-height sound reproduction. J. Audio Eng. Soc. 21 (1): 2-10.

  47. Moorer, James A. 1997. Personal communication via email.

  48. Mertens, H. 1965. Directional hearing in stereophony - Theory and experimental verification. E. B. U. Review, Part A - Technical 92 (Aug): 146-158.

  49. Mertens, H. 1960. An energy theory of directional hearing and its applications in stereophony. E. B. U. Review, Part A - Technical 59 (Feb): 22-33.

  50. Fels, Peter, Wüstenhagen, Ulf, and Steinke, Gerhard. 1996. Method and apparatus for multichannel sound reproduction. 100th Convention of the Audio Eng. Soc., Copenhagen. Preprint 4272 (S-3).

  51. Macpherson, Ewan A. 1991. A computer model of binaural localization for stereo imaging measurement. J. Audio Eng. Soc. 39 (9): 604-622. Moran, David. 1993. Comments on "A computer model of binaural localization for stereo imaging measurement." J. Audio Eng. Soc. 41 (10): 795-796. Macpherson, Ewan A. 1993. Author’s reply to "Comments on ‘A computer model of binaural localization for stereo imaging measurement.’" J. Audio Eng. Soc. 41 (10): 796-797. Davis, Mark. 1993. Further comments on "A computer model of binaural localization for stereo imaging measurement." J. Audio Eng. Soc. 41 (10): 797.

  52. Crispien, Kai, and Ehrenberg, Tasso. 1995. Evaluation of the "cocktail-party effect" for multiple speech stimuli within a spatial auditory display. J. Audio Eng. Soc. 43 (11): 932-941.

  53. Cao, Yuchang, Sridharan, Sridha, and Moody, Miles. 1996. Co-talker separation using the "cocktail party effect." J. Audio Eng. Soc. 44 (12): 1084-1096.

  54. Geluk, J. J. 1962. A direction-meter for stereophony. E. B. U. Review, Part A - Technical 72 (April): 50-55.

  55. Komiyama, Setsu. 1997. Visual monitoring of multichannel stereophonic signals. J. Audio Eng. Soc. 45 (11): 944-948.

  56. Hoeg, Wolfgang, and Grunwald, Peter. 1996. 100th Convention of the Audio Eng. Soc., Copenhagen. Preprint 4278 (T-2).

  57. Bech, Søren. 1992. Selection and training of subjects for listening tests on sound reproduction equipment. J. Audio Eng. Soc. 40 (7/8): 590-610.

  58. Toole, Floyde. 1985. Subjective measurements of loudspeaker sound quality and listener preference. J. Audio Eng. Soc. 33 (1/2): 2-32.

  59. Zacharov, Nick. 1997. On the loudspeaker directivity characteristics for 5.1 channel audio-visual reproduction: A subjective appraisal. 102nd Convention of the Audio Eng. Soc., Munich. Preprint 4459 (I-2).

  60. Aschoff, V. 1963. Über das räumliche Hören [On spatial hearing]. Arbeitsgem. f. Forschung Nordrhein-Westfalen 138: 7-38.

  61. Skudrzyk, E. 1954. Die Grundlagen der Akustik [Fundamentals of acoustics]. Berlin: Springer-Verlag.

  62. Rabiner, Lawrence R., and Schafer, Ronald W. 1978. Digital Processing of Speech Signals. Upper Saddle River, NJ: Prentice Hall. Chap 7.

  63. Plenge, G., and Brunschen, G. 1971. Signalkenntinis und Richtungsbestimmung in der Medianebene bei Sprache [A priori knowledge of the signal when determining the direction of speech in the median plane]. 7th Intl. Congress on Acoustics, Budapest. Proceedings 19 H 10.

  64. Dolby Laboratories Inc. 1997. Home theater speaker choice and placement described on several web pages as of 3/24/98. http://www.dolby.com/ht/sound/sound1.html, …/sound2.html, …/sound3.html, and …/sound4.html.

  65. Badger, Gary, and Davis, Chips. 1983. Surround sound in the eighties: Design principles for surround monitoring environments. 74th Convention of the Audio Eng. Soc., New York. Preprint 2046 (C-5).

  66. Holman, Tomlinson. 1991. New factors in sound for cinema and television. J. Audio Eng. Soc. 39 (7/8): 529-539. Wu, S. F. 1992. Comments on "New factors in sound for cinema and television." J. Audio Eng. Soc. 40 (9): 719. Holman, Tomlinson. 1992. Author’s reply to "Comments on ‘New factors in sound for cinema and television.’" J. Audio Eng. Soc. 40 (9): 719-720.

  67. Bech, Søren. 1997. The influence of stereophonic width on the perceived quality of an audio-visual presentation using a multichannel sound system. 102nd Convention of the Audio Eng. Soc., Munich. Preprint 4432 (E5).

  68. Bech, Søren, and Hansen, Villy. 1995. Interactions between audio-visual factors in a home theater system: Experimental results. 99th Convention of the Audio Eng. Soc., New York. Preprint 4096 (K-7).

  69. Olive, Sean E., Schuck, Peter L., Sally, Sharon L., and Bonneville, Marc E. 1994. The effects of loudspeaker placement on listener preference ratings. J. Audio Eng. Soc. 42 (9): 651-669.

  70. Aarts, Ronald M. 1992. A comparison of some loudness measures for loudspeaker listening tests. J. Audio Eng. Soc. 40 (3): 142-146.

  71. Bech, Søren. 1997. Calibration of relative level differences of a domestic multichannel sound reproduction system. 102nd Convention of the Audio Eng. Soc., Munich. Preprint 4433 (E6).

  72. Shelton, B. R., and Searle, C. L. 1980. The influence of vision on the absolute identification of sound-source position. Perception & Psychophysics 28 (2): 589-596.

  73. Woszczyk, Wieslaw, Bech, Søren, and Hansen, Villy. 1995. Interactions between audio-visual factors in a home theater system: Definition of subjective attributes. 99th Convention of the Audio Eng. Soc., New York. Preprint 4133 (K-6).

  74. Iwamiya, S., and Teshima, H. 1994. The effects of large display reproduction of video on the impression of sound and picture when listening to music via audio-visual media. Proceedings of the Fifth Western Pacific Regional Acoustics Conference, Seoul, 23-25 Aug 1994. 499-504.

  75. Theile, Günther, and Plenge, G. 1977. Localization of lateral phantom sources. J. Audio Eng. Soc. 25 (4): 196-200.

  76. Gerzon, Michael A. 1974. The presentation of statistical information on a circle. J. Audio Eng. Soc. 22 (7): 536.

  77. Koopmans, Lambert H. 1987. Introduction to Contemporary Statistical Methods. Second Edition. Boston, MA: Duxbury Press.

  78. Graham, Mikail. 1997. The plug-in zone. Keyboard (Aug.): 32-61.

  79. Miller, Dennis. 1997. Microsoft DirectX Media. Electronic Musician (June): 86-92.

  80. Microsoft, Inc. 1997. DirectX Media 5.1 SDK and included help files. The Direct Show portion of the SDK was last updated Nov. 14, 1997. SDK may be found at http://www.microsoft.com/directx as of 3/24/98.

  81. Randall, Neil. 1998. A guide to DirectX: Multimedia and game developers now have a way to build hardware access directly into their programs. (Published as Tutor). PC Magazine 2/10/98. Also available as of 3/24/98 at http://www.zdnet.com/pcmag/pctech/content/17/03/tu1703.001.html through …/tu1703.007.html.

  82. deCarmo, Linden. 1998. A new architecture for multimedia: Microsoft DirectShow provides a better way to handle new media technologies. (Published as Operating Systems). PC Magazine 1/6/98. Also available as of 3/24/98 at http://www.zdnet.com/pcmag/pctech/content/17/01/os1701.001.html through ../os1701.008.html.

  83. Sonic Foundry, Inc. 1997. Sonic Foundry Plug-In Development Kit (PIDK) for DirectX Audio Plug-Ins. Release 4, last updated July 17, 1997. Available at http://www.sonicfoundry.com/support/dev/dev.asp.

  84. Pirkle, Will. 1997. Class notes, MMI 693: Special topics in music engineering technology. Fall Semester. University of Miami, Coral Gables, FL.

  85. Hartman, W. M. 1983. Localization of sound in rooms. J. Acoustical Soc. America 74 (5): 1380-1392.

  86. Zudock, Thomas A. 1993. Effects of minimizing impulse response duration in three dimensional sound processing. Masters thesis project. University of Miami. 37-39.

  87. Mori, Toshinori, Fujiki, Goro, Takahashi, Nobuaki, and Maruyama, Fumio. 1979. Precision sound-image-localization technique utilizing multitrack tape masters. J. Audio Eng. Soc. 27 (1/2): 32-38.

  88. Kong, Jin. 1990. Electromagnetic Wave Theory. 2nd Edition. New York, NY: John Wiley and Sons, Inc.

  89. Pulkki, Ville. 1997. Virtual sound source positioning using vector amplitude panning. J. Audio Eng. Soc. 45 (6): 456-466.

  90. Gerzon, Michael A. 1992. The design of distance panpots. 92nd Convention of the Audio Eng. Soc., Vienna. Preprint 3308.

  91. Horbach, Ulrich. 1997. New techniques for the production of multichannel sound. 103rd Convention of the Audio Eng. Soc., New York. Preprint 4624.

  92. Chowning, John M. 1971. The simulation of moving sound sources. J. Audio Eng. Soc. 19 (1): 2-5.

  93. Dodge, Charles, and Jerse, Thomas A. 1997. Computer music: Synthesis, composition, and performance. Second Edition. New York, NY: Schirmer Books. Chap 10.

(Previous Chapter) <- Main Page

Jim West, University of Miami, Copyright 1998